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After several push backs since early 2009, Lil Wayne’s highly anticipated album “Rebirth,” finally released February 2. “Rebirth” is one of Wayne’s unfortunate projects, especially compared to the, multi-platinum selling, “Tha Carter III.”

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Sound Judgement: Lil' Wayne - Rebirth

Published: Tuesday, February 23, 2010

Updated: Tuesday, February 23, 2010

lil_wayne

Lil' wayne: Rebirth

After several push backs since early 2009, Lil Wayne’s highly anticipated album “Rebirth,” finally released February 2. “Rebirth” is one of Wayne’s unfortunate projects, especially compared to the, multi-platinum selling, “Tha Carter III.”

Numbers on the charts prove this. The rock album debuted at #2 and “only” sold 176,000 copies. What happened to our “milli” selling rapper?

Perhaps fans aren’t feeling the commercialized material on album, which is lacking all the essentials of authentic rock music.

Lil’ Wayne is a successful rapper. There is no reason for him to switch genres and attempt to be the black Travis Barker.

The only songs that were worthy of mention are lead singles: “On Fire” and “Drop the World,” which features Eminem.

Perhaps these two songs are lead singles because they posse qualities of the “rapper” Wayne.

Miami duo Cool & Dre fruitfully produced “On Fire.” Using basic hip-hop elements, the Amy Holland “She’s on Fire” sample was genius. The drums and the electric guitar complimented the lyrical bars on the second verse.

The non hip-hop tracks on the album turn Wayne into an example of when rapper turned rock star goes wrong.“Knockout” featuring Nicki Minaj releases a pop rock vibe, but not quite as pleasing as Fall Out Boy, Gym Class Heroes, and Paramore.

The track also has obsessive use of auto-tune and another wacked out verse from Nicki Minaj.

The only rock influenced song on the album that is somewhat decent is the intro “American Star.”

The track features pleasant vocals from Young Money songstress Shanell, following slight lyricism from Wayne. The beat is simple with basic drum and guitar instrumentation.

Majority of the tracks involve subjects revolving around the confessional main “emo” aspect, which is in Wayne’s case is relationships and life.     “Die for You,” “The Price is Wrong,” and “Get a Life” all feature Wayne’s extreme raspy yelling, which he’s either pleading or complaining.

Overall, this album deserves the Twitter trending topic: “#fail.”  Wayne needs to stick within the hip-hop market and let the real rock stars handle the rock scene.

Or perhaps Wayne needs a few lessons of Pharrell Williams, who is apart of the multi-talented rock/hip-hop band N*E*R*D*.

So in conclusion, Wayne we don’t believe you… you need more people!

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